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This book considers the history of Do It Yourself art, music and publishing, demonstrating how DIY strategies have transitioned from being marginal, to emergent, to embedded. Through secondary research, observation and original interviews, each chapter details the peak period of a city’s subcultural activity and assesses the contemporary situation since the post-subcultural period circa 1995 in order to address the impact of globalized culture in the wake of digital and internet technologies. The book aims to challenge existing histories of sub-cultures by looking at less well-known scenes and movements as well as explore DIY "best practices" to trace a template of best approaches for sustainable, independent, locally owned creative enterprises.
- Sales Rank: #7655726 in Books
- Published on: 2016-05-03
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x .90" w x 6.10" l, .0 pounds
- Binding: Hardcover
- 310 pages
About the Author
Dr. Sarah Lowndes is a lecturer at Glasgow School of Art. Her previous publications include Social Sculpture: The Rise of the Glasgow Art Scene (2010) and All Art is Political: Writings on Performative Art (2014). Lowndes has contributed to art journals including Frieze and Afterall and to catalogues including Richard Wright (Rizzoli, 2009) and Dieter Roth: Diaries (Yale University Press, 2012).
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