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Eargle's Microphone Book is the only guide you will ever need for the latest in microphone technology, application and technique. This new edition features more on microphone arrays and wireless microphones, new material on digital models; the latest developments in surround; expanded advice on studio set up, recording and mic selection.
Ray A.�Rayburn provides detailed analysis of the different types of microphones available and addresses their application through practical examples of actual recording sessions and studio operations.
The book takes you into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to stereo sound staging, perspective, and balance are covered in detail.�Eargle's�Microphone Book is an invaluable resource for learning the 'why' as well as the 'how' of choosing and placing a microphone for any situation.
- Sales Rank: #557145 in Books
- Published on: 2011-10-10
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x .89" w x 7.50" l, 2.00 pounds
- Binding: Paperback
- 480 pages
Amazon.com Review
The Superlux R102 is an example of a modern, inexpensive ribbon microphone with sound similar to some of the "classic" ribbon microphones of the 1930s through 1970s. It's also an active ribbon with output levels similar to a condenser microphone.
This cutaway view of a Neumann SM-69 stereo microphone reveals its pair of large diaphragm condenser capsules. So-called "all-in-one" stereo microphones like this make stereo recording very easy since only one microphone needs to be placed instead of two.
The Core Tetramic is an extremely small surround microphone (note the quarter next to the microphone). Its software makes it possible to use its four-channel recording to produce
full surround recordings.
Sound reinforcement systems today have largely replaced the lapel, or lavalier, microphone with earset microphones like the Countryman E6 earset microphone seen here. The E6 and all the similar microphones that came after it have greatly improved the sound quality of many sound reinforcement systems.
This classic Altec 639 combined ribbon and dynamic microphone elements. By selectively blending the sounds from the two elements, six different directional patterns and six different sound qualities could be obtained.
Review
"...this is a very interesting book which is well written and copiously illustrated with both graphs and pictures throughout. For anyone involved in using, specifying or manufacturing microphones this will prove an invaluable read." - Lighting and Sound International
"Besides being a "must-have” reference source for recording engineers, producers or anybody who desires to better understand and utilize mics, The Microphone Book is an engaging read from its first chapter on microphone history to the 21st chapter and Eargle's unique take on classic microphones and their influence on the art and science of recording...The Microphone Book is unique in its balance of broad and meticulously detailed practical information." - Music Connection magazine
Reviews for the previous edition:
"John has brought his successful experience in classical and other music recording to the book's many pages, and one can find the best microphone arrangements for nearly every conceivable situation and guides to proceed for the more unusual ones." - The American Organist
"John Eargle has prepared another useful book for audio system contractors, engineers, designers and enthusiasts.”
Sound & Communications magazine
"Highly recommended for everyone who wants to know more. Read it.”
Amazon.com customer review
"The Microphone Book will save you time and money, even if you only ever buy one microphone to use in a home studio. If you do live sound, record on location, or are kitting out a slightly more ambitious project studio, then this book will be invaluable. It takes you far further than the 'microphone' sections of general guides to studio recording.”
Amazon.co.uk customer review
From the Back Cover
Eargle's Microphone Book is the only guide you will ever need for the latest in microphone technology, application and technique. This new edition features more on microphone arrays and wireless microphones, new material on digital models; the latest developments in surround; expanded advice on studio set up, recording and mic selection. Ray A.�Rayburn provides detailed analysis of the different types of microphones available and addresses their application through practical examples of actual recording sessions and studio operations. The book takes you into the studio or concert hall to see how performers are positioned and how the best microphone array is determined. Problem areas such as reflections, studio leakage and isolation are analyzed from practical viewpoints. Creative solutions to stereo sound staging, perspective, and balance are covered in detail.�
Eargle's�Microphone Book is an invaluable resource for learning the 'why' as well as the 'how' of choosing and placing a microphone for any situation.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Very Readable Technical Reference
By frankp93
I can't put it any more succinctly than the subtitle, `A Guide to Microphone Design and Application'.
About half of the book covers microphone theory and design - to the schematic level - and is a goldmine for anyone interested enough not to throw away the spec sheet when they unpack a mic. I have some background in electronics and, although I've no intention or ability to try building a microphone, I guess I'm geek enough to find this stuff fascinating. From the history of microphones, pressure and directionality principles and how to measure them, to varied applications and how different mics fit in, `The Microphone Book' is a technical reference work that's equally readable straight through.
The applications half is where many readers will decide if the book is right for them. It's not particularly geared toward home recordists working in contemporary styles who are looking to emulate pro studio sounds in their bedroom. The author himself states the book was written primarily for engineers and designers. The musical application chapters are divided between classical (stressing various hall acoustics and ensemble setups) along with studio recording (focusing on drums, piano, voice). Additionally, there's information on broadcast communications (radio/TV spoken word) and live voice applications. I found the information solid, if the presentation feels a bit dry in spots.
There's a terrific chapter on classic microphones featuring pictures and comparison specs that will have you drooling in no time.
This is the third edition (2012) and includes an overview chapter on wireless microphone technology; I'm still a wired guy but I found it interesting - although there are more in-depth sources at this point. There's no mention of USB in the book.
If you're a guitar player looking for examples of various ways to position a SM-57 in front of your stack, there are more concise books out there that include sample recordings. If you're an engineer, studying to be one, or have a serious interest in what's often regarded as the most important link in the audio recording chain, consider `The Microphone Book' everything else you might want to know that you won't get from practical trial and error.
2 of 2 people found the following review helpful.
All Things Microphone
By Amazon Customer
This book is a technical reference for many different aspects of microphone construction and usage. Rayburn is a recording engineering with a lifelong interest in microphones and how they work. In this book, he explains the acoustic and electronic principles utilized by microphones, as well as how microphones can be used for recording or amplification. Topics covered in the book include: history of the microphone, sound transmission by microphones, types of microphones, microphone accessories, recording techniques and microphone placement in studio, live, and surround sound, microphone arrays, and the care and maintenance of microphones. The text is illustrated throughout with black-and-white photos, diagrams and charts. End material includes a topical list of references and biography for further reading.
I found this book a great reference collection of information about microphones. I especially like the fact that Rayburn discusses each point generally without tying his explanations to any specific brand or model, except, of course, at the end, where he provides some descriptions of classic microphones. Much of the book is geared towards explaining the terms and concepts used to describe microphones, or their technical specifications. If you spend some time studying the text, you will have a much better idea of the differences between different types of microphones, and what to look for when choosing a microphone for your next project. The book is definitely aimed towards geeks, with plenty of physics, electronics, and even some calculus as well. Fortunately, Rayburn's explanations are clear and are relatively easy to follow if you have a technical background. And if math isn't your thing, you can just skip to the more practical sections, like microphone placement and maintenance. Overall, this book provides a great overview of the world of microphones and would make a great reference in any recording studio.
2 of 2 people found the following review helpful.
Microphone Bible for Students
By @TrevorHikes
Brilliant reference book for the novice or professional. My 16 year old son is on the stagecraft team for the local highschool that is an arts school. This year they have a new stagecraft teacher and they had to set up the stage area from scratch because it had never been set up properly. With this book as a reference they learned about sound and how to use the correct microphones, how to care for them and how to acoustically set them up. Highly recommended.
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